剧情简介
2018年(nián )5月和6月(🐌)，Jean Gabriel P_Riot与位于Ivry Sur Seine的(de )一(❣)所高中的10名电影(yǐng )班(🕔)学生合作，开展了一项将电影(✳)与政治结合(🏐)起来(🐖)的(🕌)项(xiàng )目。学(🎫)生们在摄像机前(qián )和摄(shè )像(xiàng )机(🐶)后工作(zuò )，重新(🤷)布(🔊)置(zhì )(💞)罢工、抵抗和劳资纠(jiū )纷的(de )场景，这些电(❔)影可以追溯到(dào )20世(shì )(💻)纪(jì )60年代(dài )末(🐑)到70年代(dài )末，包(bāo )括让-卢克-戈达(dá )(🍄)尔和阿兰(👃)-坦纳的电影(yǐng )。nos d_faites汇(huì )集(jí )了调(🌮)查结果，并增加(💹)了(le )采访，在(zài )(👊)采访中(🚗)，导演询问学(🏻)生(🐛)他们刚(gāng )刚(👪)表演的场(🌪)景，关(🚶)于“阶级”、“工会(💿)”和(hé )“政治参与”等概念，以(yǐ )(💏)及更广泛(👵)的社(💸)会背景。这是(shì )一个简单(dān )，但尖锐的(🆙)设置，让观(guān )众一瞥(piē )年(🏓)轻一代(dài )如何(hé )看待(dài )(😳)政治和(📤)过去的政治电(diàn )(🛃)影。这(🧘)部(💅)影片还记(✖)录了导演试图激怒(nù )学(xué )生的企图。在导演(yǎn )和学(xué )生似乎处于平等(děng )地位的遭遇(😲)中，基(🏡)于(yú )从未见过的导演更多类似于老师的提问，以及此时此刻(kè )对(duì )革(🐸)命(🍈)的(de )思考：起义的表(biǎo )(🔝)现(🦐)反(fǎn )映(yìng )了(le )同样的(🍗)情况。这会(😂)导致一(👧)个真(🕤)实的发生吗？
In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real?
回到1968年(nián )的电影时(shí )代，继续对重放(fàng )从过去(🚚)跳出(😤)来的(de )电影节选的(de )年轻人进(jìn )行今天的(🕦)采访，我们的失败描绘了(🌯)我们当前与政(🤞)治的关(🏥)系。我(wǒ )们的失败，还是(🏼)我(wǒ )们有足(🎺)够(📐)的力(lì )量(liàng )来面对今天的混乱？
(🕙)By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?
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