剧情简介
2018年5月和6月，Jean Gabriel P_Riot与位(🛤)于Ivry Sur Seine的一所(🌗)高(gāo )中的(📼)10名电影班(🕔)学(xué )生合作，开展了一(🕯)项(xiàng )将(jiāng )电影与政治(zhì )(🛹)结合起来的项目。学生们在摄像(xiàng )机前和摄像(xiàng )机后(🥀)工作，重(🐖)新布置(💞)罢工(gōng )、抵(dǐ )抗和劳资纠纷的场(chǎng )景，这(zhè )些电影可以追溯到20世纪60年代末到70年代末，包括让-卢克-戈(🈴)达(🍄)尔和(🥫)阿兰-坦纳的电影。nos d_faites汇集了调查结果(🤘)，并增加了采访(fǎng )，在采访中，导演(😊)询问(➡)学生他(tā )们刚刚表演的(🃏)场景，关于“阶级(jí )”、“工会(💿)”和“政(🤔)治参(🔍)与”等概念(🔤)，以(yǐ )及(jí )更广(🔷)泛(fàn )的社会背景。这(🔞)是一个简(jiǎn )单，但尖锐的设置(zhì )，让观(guān )众一瞥年(nián )轻一代如(rú )何看待政治和过去的政治电影(⏺)。这部影(🤼)片还(📬)记录了导(dǎo )(🎴)演试图(tú )激怒(nù )学(🏸)生的企图(⏺)。在导演和(hé )学生似乎(hū )(🌲)处(💕)于平等(děng )(🐌)地(dì )位的遭遇(yù )中，基于(yú )(✒)从未(wèi )见(🙅)过的导演(🕵)更多类(lèi )(📯)似于老师(🔍)的(🏗)提问，以及(jí )(🌒)此时此刻对(🍝)革(🐸)命的思(🏗)考：起(qǐ )义的表现(xiàn )反映了(le )同样(⏭)的情况(🤠)。这(zhè )会导致一个真实的发生吗？(🌽)
(🔂)In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real?
回(huí )到1968年的电影(yǐng )时代，继续对重(🦃)放从(🏈)过去(qù )跳出(😤)来的电影(yǐng )(👙)节选的年轻人进行(💙)今天(👍)的采(😠)访，我们的(de )失败(bài )描(miáo )绘了(🌯)我们(men )当前与政治的关系。我们的失败(📁)，还是我们(🌉)有(yǒu )(🚜)足够的力量来面对今(🤦)天(⛏)的混乱？
By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?
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