剧情简介
康沃(🆓)尔渔村的风(📼)景明(🏽)信(xìn )片田(🔼)园诗(shī )误导了人们。虽然(rán )过去钓鱼(yú )是一(🎹)种养家(🐉)糊口的(de )(🍖)方式(🏴)，但如(🥩)今(jīn )富有的(de )伦敦游客纷纷下山(🏇)，取代(dài )了当(dāng )地人(🐿)，当(dāng )地人的生计因此受到威胁。史蒂(🥄)文和(hé )马丁兄弟的关(guān )(📞)系也很紧张(😚)。马丁(🙁)是一个(🖍)没有(yǒu )船的渔夫，因(🤷)为史蒂文开始(shǐ )用(🧚)它(tā )来为一(yī )(🌚)整天的(🛑)游客(kè )(😞)提供更(gèng )赚钱(qián )的旅(🎛)游。他(🥎)们(🥔)卖掉了(le )这座家(jiā )庭别墅(🙌)，现在看来，最后一(💪)场战斗是和新主(🥫)人在海边的停车位上(😍)展开。然而，情(qíng )况很(hěn )快就失控了，而不仅(🗳)仅(jǐn )是(shì )因为车轮夹钳。
(😊)Bait是一种黑白，手工制作，16毫(háo )米胶片制(zhì )作的电影(yǐng )。许(xǔ )多关于(😙)鱼、网、龙(lóng )虾(xiā )、长(🥤)靴、绳结和渔篮(lán )(🍽)的特(tè )(🔞)写镜(jìng )头让人想起了蒙太奇景点(diǎn )的理论(🌸)。对不同社(shè )(🎐)会(huì )阶层(👛)的描(😳)述—(🎦)—可以(yǐ )说(shuō )是(🐂)阶(👚)级关系(👩)—(🧘)—也让人(📬)想起了英国电影(yǐng )中的社(shè )会(huì )现(xiàn )(💁)实主(zhǔ )义传(🔮)统。然而，最重(chóng )要的是，在影像中不同层次的(✒)电影(yǐng )历史参考(🍾)文献之下，当前许多政治(zhì )关联(lián )正在等待被发现(xiàn )。
The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.
Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata –(🎒) one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
猜你喜欢
剧情片周榜单
