一(yī )(🔨)直作為(✒)米(mǐ )路(🥇)斯.科曼劇本(🔼)鐵三(🃏)角(另一(yī )位是帕(pà )培錫,也是本(běn )片編(🆖)劇(🥈)之一)成員的艾雲(🐮).巴薩(😧),當然也走低度(dù )戲劇路線。同是(shì )音樂家的(🕔)彼德與卡(kǎ )洛(🗄)老友重(🕖)逢,生活狀況大不(🛹)同,你(nǐ )有伴侶(🛺)我有(🎿)家(🎫)庭(🥞),然而都有(yǒu )說(😻)不出的不明朗,唯有以酒(🔊)與音(yīn )樂代替口水。全片(piàn )推(📯)展不問目的(de ),只在剎那(nà )間的(🌊)意圖(tú ),行(háng )行(🗞)企企比起科曼更義無反(🌞)顧(gù ),卻有(yǒu )生(🙉)活淡(dàn )如流水(shuǐ )的詩(shī )意(🥫)和繆思,叫觀眾聯(⛳)想到二十年後(hòu )的(🎋)伊(🥕)力.盧馬(🚴)。巴(bā )(🤖)薩鍾(zhōng )愛音樂的程(🈁)度不下(xià )於文(🏉)字和電(diàn )影,古典音(yīn )樂與民間音樂於全片(👪)迴轉迴盪(🌪),難怪成(💹)了奇(🐩)斯(sī )(💯)洛夫斯(sī )基十大心愛電影之一。
(🐞) 康城影展青年評審團(tuán )獎,美國全(quán )國影評人協(xié )會特別獎
(👗)
這部1966年的珍(zhēn )品(💑),是捷克新浪潮(🏸)短(❄)暫生命中最佳作品之(zhī )一(yī )。成名音樂家到(🐱)小鎮探訪舊同學,舊(💨)同學是個窮音樂教師,有時(shí )在喪(🏗)禮上吹奏(zòu )樂曲。平(⛎)凡(fán )(🏖)的素材在巴素手裡(🔮),變(biàn )出風(🦐)趣復罕見的旋律(lǜ ),一部憂鬱的(de )喜劇,或灰(🥈)色喜(📸)劇(jù )(🌲)。
(🚔)- Dave Kehr, Chicago Reader
Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight.
(🏳)Special Award, National Society of Film Critics Awards
Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair.
- Elliott Stein, Village Voice
Source: HKIFF Czech New Wave 2006
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