剧情简介
《雕(🆓)像也会死(🥇)亡(wáng )》（Les statues meurent aussi，阿(ā )(🏴)兰·雷乃、克(kè )里(lǐ )(📿)斯(🌫)·马尔凯，1953年出品(🖲)，27分(fèn )钟）尖锐地(dì )批(pī )(🎡)评了(le )西方殖民主(zhǔ )义对非洲(zhōu )(🏐)传(🚥)统艺术(🛺)的戕害以(🥞)及自称热(rè )爱非(fēi )洲艺术的(🐶)上等阶层的贪婪与伪善。本片的(de )主角(jiǎo )是来自黑非洲的人物(wù )雕像、(🌑)面具和(㊗)其他非(💻)洲(🗞)艺术(shù )品，但是(🏂)它们的(de )演出场所(suǒ )并非黑人的故乡，而是白人的欧洲，艺术品(pǐn )市(shì )场和艺术品(🎋)拍(pāi )卖会(huì )是它(tā )(🚴)们频(pín )频出没和(👣)滞(zhì )留的(de )中转(💝)地。这些本(🍑)来(👊)被非洲部族用(😊)来抵抗(kàng )死亡的面具和(hé )雕像(🃏)，如(rú )今却呆在博物馆的(de )橱窗(chuāng )里静(🎥)静地死去(📧)。此时，画外音告诉我们(men )：“当人死去的时(🔞)候，他便进入(rù )(🔙)了历史(shǐ )(🐖)；(🆙)当这些(xiē )雕像(🚡)死去的(de )时候，它们进入(🕕)了艺(👗)术；(📤)这(🚻)种关于死(sǐ )亡(wáng )的学问，我们最后称之(💑)为(🎴)文(😉)化。”由于本片(piàn )具(jù )有(⏺)鲜明(🔮)而强烈的社会批(pī )判意(🈂)识(🚪)，自拍竣(jun4 )(💛)之日起(qǐ )即遭到法国政府禁映(🍾)，直到1963年才解(jiě )禁。本片由长于(⛎)剪辑的阿兰·雷乃操刀剪(jiǎn )辑(jí )，由强(qiáng )于写(♈)作的克(kè )里斯·马尔(😙)凯撰写(🐼)解说，充分(📸)发挥(huī )了两人各自的强(🔂)项，可谓强(qiáng )强(🍐)合作的结晶。
This collaborative film, banned for more than a decade by French censors as an attack on French colonialism (and now available only in shortened form), is a deeply felt study of African art and the decline it underwent as a result of its contact with Western civilization. Marker's characteristically witty and thoughtful commentary is combined with images of a stark formal beauty in this passionate outcry against the fate of an art that was once integral to communal life but became debased as it fell victim to the demands of another culture.
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